Inside Out was the first Pixar flick I felt really excited to see in theaters in a while. maybe with anger and his penchant for fire-breathing responses, but the rest of the emotional spectrum probably not so much. Sure you could turn those colorful emotions into action figures but could you honestly see a kid huddled in a corner playing with Joy and Anger in a battle against a squad of G.I. Don't get me wrong, I love the Toy Story sequels and I had a blast with Incredibles 2 - but I really appreciated that this felt like a truly unique and individual story. What I particularly loved about Inside Out was that it felt like a film that wasn't made for its marketability. All we can do is work our way through them and process as we go along. When we're kids growing up it's less a ride than a violent rollercoaster with no discernible beginning or end. As this movie smartly reminds us, we're often along for the ride. How we manage happiness, sadness, anger, fear - we like to feel like we're the ones in control at all times. Inside Out is probably their most mature concept piece to date by taking a smart look at the complexities of emotional intelligence. They're great about putting out commercial favorites with big themes that resonate with the audience but are still wildly entertaining. Save for the clunky The Good Dinosaur and Cars 2, Pixar's track record for delivering big concept creative storytelling that's good for everyone of all ages is impeccable.
Read our original 3D Blu-ray review HERE. When Riley's happy core memories are polluted by sadness, Joy and the rest of the team need to find a way to help Riley navigate her new home and surroundings and her new complex emotional responses. But when Mom and Dad have to move the family to San Francisco, Riley's emotions Joy (Amy Poehler), Sadness (Phyllis Smith), Fear (Bill Hader), Anger (Lewis Black), and Disgust (Mindy Kaling) are thrown for a loop. Riley (Kaitlyn Dias) is an average young girl living in Minnesota with two loving parents and a group of friends.
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